1. Introductions

Meriwether, James B., ed. "William Faulkner: An Introduction for The Sound and the Fury ," The Southern Review , N.S., 8 (October 1972), 705-10. Text
written in 1933 for a new edition of the novel then planned by Random House. Faulkner's account of his creative experience is a unique document which anyone
interested in The Sound and the Fury should consult.

________________, ed., "An Introduction to The Sound and the Fury ." Mississippi Quarterly 26 (Summer 1973), 410-415. Reprinted in A Faulkner
Miscellany , ed. James B. Meriwether (Jackson, Miss.: University Press of Mississippi, 1974), pp. 156-161. A longer and different version of the 1933
introduction, including comments upon the predicament of the Southern writer missing from the version published in The Southern Review .

2. The "Compson Appendix"

Faulkner, William. "Appendix: Compson, 1699-1945." Written in the fall of 1945 and first published in the Viking Portable Faulkner edited by Malcolm Cowley in
the spring of 1946; republished in a slightly different version in the Modern Library double volume of The Sound and the Fury and As I Lay Dying as a
foreword to the novel to replace a proposed introduction which Faulkner refused to supply; republished at the end of 1966 Random House edition with minor
editorial changes. In discussing the novel, it is important to remember that the "Compson Appendix" is no organic part of it.

Cowley, Malcolm. The Faulkner-Cowley File: Letters and Memories, 1944-1962 . New York: The Viking Press, 1966. Includes Faulkner's
correspondence with Cowley on the "Compson Appendix."

Meriwether, James B., ed. "A Prefatory Note by Faulkner for the Compson Appendix." American Literature 43 (May 1971), 281-284. The draft of a brief
introduction to the "Compson Appendix," written in 1946, with a commentary by the editor upon its date and significance.

3. Interviews

Gwyn, Frederick L., and Joseph L. Blotner, Faulkner in the University: Class Conferences at the University of Virginia, 1957-58 . Charlottesville:
University of Virginia Press, 1959. Includes numerous comments on the novel. Meriwether, James B., and Michael Millgate, eds. Lion in the Garden: Interviews
with William Faulkner 1926-1962 . New York: Random House, 1968. See especially his interviews in Japan (pp. 146-149, 169-170) and his well-known
interview with Jean Stein (pp. 244- 246).

Fant, Joseph L., and Robert Ashley, eds. Faulkner at West Point . New York: Random House, 1964. Includes some comments on the novel.

B. CHECKLISTS AND SURVEYS OF CRITICISM

Bassett, John. William Faulkner: An Annotated Checklist of Criticism . New York: David Lewis, 1972, pp. 32-52.

Meriwether, James B. "William Faulkner." In Bryer, Jackson R., ed., Fifteen Modern American Authors . Durham, N.C.: Duke University Press, 1969, pp.
175-210. Includes a survey of criticism on The Sound and the Fury up to 1968.

For criticism since 1963, see the annual surveys published in American Literary Scholarship (Durham, N.C.: Duke University Press). The bibliographical essays
on Faulkner have been by Richard P. Adams (for 1963 and 1964), Robert R. Wiggins (1965-67), Olga W. Vickery (1968), Michael Millgate (1969-72), James
B. Meriwether (1973- ).

C. CRITICAL STUDIES

Early reviews and doctoral dissertations are not listed.

1. Monographs

Bleikasten, André. The Most Splendid Failure: Faulkner's The Sound and the Fury. Bloomington, London: Indiana University Press, 1976. xx + 275 p.

Matthews, John T. The Sound and the Fury: Faulkner and the Last Cause. Boston: Twayne's Masterwork Studies, 1990. xiv + 137 p.

Weber, Robert Wilhelm. Die Aussage der Form : Zur Textur und Struktur des Bewusstseinromans. Dargestellt an William Faulkners "The Sound
and the Fury ." Heidelberg: Carl Winter, 1969. 103 p.

2. Collections of essays

Bleikasten, André, ed. William Faulkner's The Sound and the Fury: A Critical Casebook. New York & London: Garland Publishing, Inc, 1982. 169 p.

Cowan, Michel H., ed. Twentieth Century Interpretations of The Sound and the Fury . Englewood Cliffs, N. J.: Prentice-Hall, Inc., 1968.

Meriwether, James B., ed. Merrill Studies in The Sound and the Fury . Columbus, Ohio: Charles E. Merrill Publishing Company, 1970.

3. Articles and Book Chapters

Absalom, H.P. "Order and Disorder in The Sound and the Fury ." Durham University Journal , 58 (December 1965), 30-39.

Adams, Richard P. Faulkner: Myth and Motion. Princeton, N.J.: Princeton University Press, 1968, pp. 215-248.

Adams, Robert M. "Poetry in the Novel; or Faulkner Esemplastic." Virginia Quarterly 39 (Summer 1953), 419-434.

Aiken, Conrad. "William Faulkner: The Novel as Form." Atlantic Monthly , 164 (November 1939), 650-54. Included in A Reviewer's ABC , New York:
Meridian Books, 1958, pp. 200-207. Rpt. in William Faulkner: Three Decades of Criticism , ed. Frederick J. Hoffman & Olga W. Vickery, East Lansing:
Michigan State University Press, 1960, pp. 135-142, and in Faulkner: A Collection of Critical Essays, ed. Robert Penn Warren, Englewood Cliffs, N.J.:
Prentice-Hall, 1966, pp. 46- 52.

Aiken, David. "The 'Sojer Face' Defiance of Jason Compson." Thought 52 (June 1977), 188-203.

Alexandrescu, Sorin. William Faulkner . Bucharest, Rumania: Editura pentru Literatura Universala, 1969.

Anderson, Charles. "Faulkner's Moral Center." Etudes Anglaises 7 (January 1954), 48-58.

Aswell, Duncan. "The Recollection and the Blood: Jason's Role in The Sound and the Fury ." Mississippi Quarterly 21 (Summer 1968), 211- 218.

Auer, Michael J. "Caddy, Benjy, and the Acts of the Apostles: A Note on The Sound and the Fury ." Studies in the Novel 6 (Winter 1974), 475- 476.

Bachmann, Ingeborg. "Über 'Schall und Wahn'." In Über William Faulkner, ed. Gerd Haffmans, Zurich: Diogenes, 1973, pp. 127-129.

Backman, Melvin. "Sickness and Primitivism: A Dominant Pattern in William Faulkner's Work." Accent 14 (Winter 1954), 61-73.

_____________. "Faulkner's Sick Heroes: Bayard Sartoris and Quentin Compson." Modern Fiction Studies 2 (Autumn 1956), 95-108.

_____________. Faulkner: The Major Years. A Critical Study . Bloomington: Indiana University Press, 1966, pp. 13-40.

Barker, Deborah E. and Ivo Kamps. "Much Ado About Nothing; Language and Desire in The Sound and the Fury ." Mississippi Quarterly 46 (Summer 1993),
373-406.

Bass, Eben. "Meaningful Images in The Sound and the Fury ." Modern Language Notes , 76 (December 1961), 728-731.
Basset, John. "The Sound and the Fury : An Annotated checklist of Criticism". Resources in American Literary Scholarship, I (automne 1971), p. 217-246.

Bassan, Maurice. "Benjy at the Monument." English Language Notes 2 (September 1964), 46-50.

Bauer, Margaret D. "The Evolution of Caddy: An Intertextual Reading of The Sound and the Fury and Ellen Gilchrist's The Annunciation." The Southern Literary
Journal 25 (Fall 1992), 40-51.

Baum, Catherine B. "'The Beautiful One': Caddy Compson as Heroine of The Sound and the Fury ." Modern Fiction Studies 13 (Spring 1967), 33- 44.

Bedell, George C. Kierkegaard and Faulkner: Modalities of Existence, Baton Rouge: Louisiana State University Press, 1972, pp. 22-23, 134- 137, 184-190,
195-206, 244-255, et passim .

Beja, Morris. "William Faulkner: A Flash, a Glare." In Epiphany in the Modern Novel, Seattle: University of Washington Press, 1971, pp. 182-210, especially
182-89, 192-93.

Benson, Jackson, J. "Quentin Compson: Self-Portrait of a Young Artist's Emotions." Twentieth Century Literature 17 (July 1971), 143-159. _____________.
"Quentin's Responsibility for Caddy's Downfall." Notes on Mississippi Writers , 5 (Fall 1972), 63-64.

Blanchard, Margaret. "The Rhetoric of Communion: Voice in The Sound and the Fury ." American Literature 41 (January 1970), 555-565.

Bleikasten, André. "Noces Noires, Noces Blanches: Le jeu du désir et de la mort dans le monologue de Quentin Compson." Recherches Anglaises et
Nord-Américaines (Strasbourg), 6 (1973), 142-169.
_____________. "The Sound and the Fury : le désir à l'oeuvre", ibid., IX (1976), p. 18-34.

_____________ . "La lutte avec l'Ange." In Parcours de Faulkner, Association des Publications près les Universités de Strasbourg, Editions Ophrys, 1982,
pp. 51-162. Revised and translated in The Ink of Melancholy: Faulkner's Novels from "The Sound and the Fury" to "Light in August," Bloomington:
Indiana University Press, 1990.

Blöcker, Günter. "William Faulkner." In Die Neuen Wirklichkeiten , Berlin: Argon Verlag, 1957, pp. 112-123. Partly translated by Jacqueline Merrian in
Faulkner: A Collection of Critical Essays, ed. Robert Penn Warren, Englewood Cliffs, N.J.: Prentice-Hall, 1966, pp. 122-126.

Blotner, Joseph. Faulkner: A Biography , vol. I. New York: Random House, 1974, pp. 566-579, 588-590, 602-603, 626-628, 636-639, 666-668, 810-813,
1196-1198, and passim.

Bockting, Ineke. "The Impossible World of the 'Schizophrenic': William Faulkner's Quentin Compson." Style 24 (Fall 1990), 484-97.

Booth, Wayne C. The Rhetoric of Fiction, Chicago and London: University of Chicago Press, 1961, pp. 112-113, 152, 160, 198, 274, 306- 308.

Bowling, Lawrence E. "Faulkner: Technique of The Sound and the Fury ." Kenyon Review , 10 (Autumn 1948), 522-566. Rpt. in William Faulkner: Two
Decades of Criticism, ed. Frederick J. Hoffman and Olga W. Vickery, East Lansing: Michigan State College Press, 1951, pp. 165-179.

_________________. "Faulkner and the Theme of Innocence." Kenyon Review 20 (Summer 1958), 466-487.

_________________. "William Faulkner: The Importance of Love." Dalhousie Review 43 (Winter 1963-64), 474-482.

_________________. "Faulkner and the Theme of Isolation." Georgia Review 18 (Spring 1964), 50-66.

_________________. "Faulkner: The Theme of Pride in The Sound and the Fury ." Modern Fiction Studies 11 (Summer 1965), 129-139.

Broderick, John C. "Faulkner's The Sound and the Fury ." Explicator 19 (November 1960), Item 12.

Brogunier, Joseph. "A Housman Source in The Sound and the Fury ." Modern Fiction Studies , 18 (Summer 1972), 220-225.

Brooks, Cleanth. "Primitivism in The Sound and the Fury." In English Institute Essays 1952, ed. Alan S. Downer, New York: Columbia University Press, 1954,
pp. 5-28.

____________. "Faulkner's Vision of Good and Evil." Massachusetts Review, 3 (Summer 1962), 692-712. Included in The Hidden God: Studies in Hemingway,
Faulkner, Yeats, Eliot, and Warren , New Haven, Conn.: Yale University Press, 1963, pp. 22-43.

____________. "Man, Time, and Eternity." In William Faulkner: The Yoknapatawpha Country , New Haven, Conn., and London: Yale University Press,
1963, pp. 325-348.

Broughton, Panthea Reid. William Faulkner: The Abstract and the Actual . Baton Rouge: Lousiana State University Press, 1974, pp. 27-28, 90- 91, 92-93,
112-16, 116-17, 188-191.

Brown, Arthur A. "Benjy, the Reader, and Death: At the Fence in The Sound and the Fury." Mississippi Quarterly 48 (Summer 1995), 407- 420.

Brown, Calvin S. "Dilsey: From Faulkner to Horner." In Zyla, W.T., and W. M. Aycock, eds., William Faulkner: Prevailing Verities and World Literature -
Proceedings of the Comparative Literature Symposium, vol. 6, Lubbock: Texas Tech. University, 1973, pp. 57-75.

Brown, May Cameron. "The Language of Chaos: Quentin Compson in The Sound and the Fury ." American Literature 51 (January 1980), 544- 553

Brylowski, Walter. "The Dark Vision." In Faulkner's Olympian Laugh: Myth in the Novels, Detroit, Mich.: Wayne State University Press, 1968, pp. 59-85.

Burnham, James. "Trying to Say." The Symposium 2 (January 1931), 51- 59.

Campbell, Harry Modean. "Experiment and Achievement: As I Lay Dying and The Sound and the Fury ." Sewanee Review 51 (April 1943), 305- 320.

___________________, and Ruel E. Foster. William Faulkner: A Critical Appraisal . Norman: University of Oklahoma Press, 1951, pp. 50-60, 125-130.

Castille, Philip D. "Dilsey's Easter Conversion in Faulkner's The Sound and the Fury ." Studies in the Novel 24 (Winter 1992), 423-433.

Cecil, L. Moffitt. "A Rhetoric for Benjy." The Southern Literary Journal 3 (Fall 1970), 32-46.

Chappell, Fred. "The Comic Structure ofThe Sound and the Fury ." Mississippi Quarterly 31 (Summer 1978), 381-386.

Chase, Richard. The American Novel and Its Tradition, Garden City, N.Y.: Doubleday Anchor Books, 1957, pp. 219-236.

Claxon, William N., Jr. "Jason Compson: A Demoralized Wit." In Faulkner and Humor, ed. Doreen Fowler & Ann J. Abadie, Jackson: University Press of
Mississippi, 1986, 21-33.

Clerc, Charles. "Faulkner's The Sound and the Fury." Explicator 24 (November 1965), Item 29.

Cobau, William W. "Jason Compson and the Costs of Speculation." Mississippi Quarterly 22 (Summer 1969), 257-261.

Cohen, Philip, and Doreen Fowler. "Faulkner's Introduction to The Sound and the Fury ." American Literature 62 (June 1990), 262-283.

Cohn, Dorrit. Transparent Minds: Narrative Modes of Presenting Consciousness in Fiction, Princeton, N.J.: Princeton University Press, 1978, pp.
248-255, et passim.

Coffee, Jessie. "Faulkner's The Sound and the Fury ." Explicator 24 (October 1965), Item 21.

Coindreau, Maurice-Edgar. "Preface to The Sound and the Fury." Trans. George M. Reeves. Mississippi Quarterly 19 (Summer 1966), 107-115 (originally
published in French in 1938). Included in The Time of William Faulkner: A French View of Modern American Fiction , ed. and trans. George M. Reeves,
Columbia: University of South Carolina Press, 1971, pp. 41-50.

Collins, Carvel. "The Interior Monologues of The Sound and the Fury ." In English Institute Essays 1952 , ed. Alan S. Downer, New York: Columbia University
Press, 1954, pp. 29-56. First revised edition in Malin, Irving, ed., Psychoanalysis and American Fiction, New York: Dutton, 1965; second revised edition in The
Merrill Studies in The Sound and the Fury , ed. James B. Meriwether, Columbus, Ohio: Charles E. Merrill, 1970.

________________. "The Pairing of The Sound and the Fury and As I Lay Dying ." Princeton University Library Chronicle 18 (Spring 1957), 114-23.

________________. "Faulkner's The Sound and the Fury." Explicator 17 (December 1958), Item 19.

________________. "Miss Quentin's Paternity Again." Texas Studies in Literature and Language 2 (Autumn 1960), 253-260.

________________. "William Faulkner: The Sound and the Fury ." In Stegner, Wallace, ed., The American Novel from James Fenimore Cooper to William
Faulkner, New York: Basic Books, 1965, pp. 219- 228.

Cook, Albert S. "Plot as Discovery." In The Meaning of Fiction , Detroit, Mich.: Wayne State University Press, 1960, pp. 232-241.

Cowan, James C. "Dream-Work in the Quentin Section of The Sound and the Fury ." Literature and Psychology , 24, n¡3 (1974), 91-98.
Cowan, Michael H. "Twentieth Century Interpretations of The Sound and the Fury". Englewood Cliffs, New Jersey, Prentice Hall, 1968, p. 114.

Cross, Barbara M. "The Sound and the Fury : The Pattern of Sacrifice." Arizona Quarterly 16 (Spring 1960), 5-16.

Dauner, Louise. "Quentin and the Walking Shadow: The Dilemma of Nature and Culture." Arizona Quarterly 21 (Summer 1965), 159-171.

Davis, Boyd. "Caddy Compson's Eden." Mississippi Quarterly , 30 (Summer 1977), 381-394.

Davis, Thadious M. "Faulkner's "Negro": Art and the Southern Context". Baton Rouge & London: Louisiana University Press, 1983, pp. 65-127. Davis,
William V. "The Sound and the Fury : A Note on Benjy's Name." Studies in the Novel 4 (Spring 1972), 60-61.

_____________. "Death Ritual: Further Christian Allusions in The Sound and the Fury ." Notes on Mississippi Writers , 6 (Spring 1973), 27-32. Dean, Michael
P. "Faulkner's Dilsey: A Saint for Our Century" Southern Studies 22 (Winter 1983), 351-58.
Davis, William V. "The Sound and the Fury : A Note on Benjy's Name". Studies in the Novel, IV (printemps 1972), p. 60-61.

Dickerson, Mary Jane. "'The Magician's Wand': Faulkner's Compson Appendix." Mississippi Quarterly 28 (Summer 1975), 317-337.

Dove, George N. "Shadow and Paradox: Imagery in The Sound and the Fury ." In Essays in Memory of Christine Burleson in Language and Literature by
Former Colleagues and Students , ed. Thomas G. Burton, Johnson City: Research and Advisory Council, East Tennessee State University, 1969, pp. 89-95.

Dukes, Thomas. "Christianity as Curse and Salvation in The Sound and the Fury." Arizona Quarterly 35 (Summer 1979), 170-182.

Edel, Leon. The Psychological Novel 1900-1950, Philadelphia: Lippincott, 1955, pp. 33-34, 147-153, and passim .

________. "How to Read The Sound and the Fury ? " In Varieties of Literary Experience: Eighteen Essays in World Literature, ed. Stanley Burnshaw, New
York: New York University Press, 1962, pp. 247-251. Included in The Modern Psychological Novel , New York: Grosset & Dunlap, 1964, pp. 162-176.

England, Martha Winburn. "Teaching The Sound and the Fury." College English 18 (January 1957), 221-224.

___________________. "Quentin's Story: Chronology and Explication." College English 22 (January 1961), 228-235.

Faber, M. D. "Faulkner's The Sound and the Fury : Object Relations and Narrative Structure." American Imago 34 (Winter 1977), 327-350.
Fasel, Ida. "Spatial Form and Spatial Time." Western Humanities Review 16 (Summer 1962), 223-224.

__________. "A 'Conversation' between Faulkner and Eliot." Mississippi Quarterly 20 (Fall 1967), 195-206.

Feldstein, Richard. "Gerald Bland's Shadow." Literature and Psychology 31, 4 (1981), 4-12.

______________. "Faulkner's The Sound and the Fury : The Incest Theme." American Imago 42 (Spring 1985), 85-98.

______________. "Patterns of Idiot Consciousness." Literature and Psychology 32, 2 (1986), 10-18.

Fletcher, Mary Dell. "Jason Compson: Contemporary Villain." Louisiana Studies, 15 (Fall 1976), 253-261.

________________. "Edenic Images in The Sound and the Fury." South Central Bulletin 40 (Winter 1980), 142-144.

Frederickson, Michael A. "A Note on 'The Idiot Boy' as a Probable Source for The Sound and the Fury ." Minnesota Review 6 (Winter 1966), 368-370.

Freedman, William A. "The Technique of Isolation in The Sound and the Fury." Mississippi Quarterly 15 (Winter 1961-62), 21-26.

Fridy, W. "'Ichthus': An Exercise in Synthetic Suggestion." South Atlantic Bulletin 39 (May 1974), 95-101.

Garmon, Gerald M. "Faulkner's The Sound and the Fury." Explicator 25 (September 1966), Item 2.

______________. "Mirror Imagery in The Sound and the Fury ." Notes on Mississippi Writers 2 (Spring 1969), 13-24.

Gatlin, Jesse C., Jr. "Of Time and Character in The Sound and the Fury ." Humanities Association Bulletin , 17 (Autumn 1966), 27-35.

Geffen, Arthur. "Profane Time, Sacred Time, and Confederate Time in The Sound and the Fury." Studies in American Fiction 2 (Autumn 1974), 175-197.

Geismar, Maxwell. Writers in Crisis: The American Novel 1925-1940, Boston: Houghton Mifflin, 1942, pp. 154-159, and passim .

Gibbons, Kathryn Gibbs. "Quentin's Shadow." Literature and Psychology 12 (Winter 1962), 16-24.

Gibson, William M. "Faulkner's The Sound and the Fury ." Explicator 22 (Januray 1964), Item 33.

Gold, Joseph. "Faulkner's The Sound and the Fury ." Explicator 19 (February 1961), Item 29.

Grant, William E. "Benjy's Branch: Symbolic Method in Part I of The Sound and the Fury ." Texas Studies in Literature and Language 13 (Winter 1972),
705-710.

Graves, T. W., Jr. "A Portrait of Benjy." William and Mary Review 2 (Winter 1964), 53-57.

Greer, Dorothy D. "Dilsey and Lucas: Faulkner's Use of the Negro as a Gauge of Moral Character." Emporia State Research Studies 11 (September 1962),
43-61.

Gregory, Eileen. "Caddy Compson's World." In The Merrill Studies in The Sound and the Fury, ed James B. Meriwether, Columbus: Charles E. Merrill, 1970,
pp. 189-101.

Gresset, Michel. "Psychological Aspects of Evil in The Sound and the Fury ." Mississippi Quarterly 19 (Summer 1966), 143-53. Revised for inclusion in The
Merrill Studies in The Sound and the Fury , pp. 114- 124.

Griffin, Robert. "Ethical Point of View in The Sound and the Fury ." In Essays in Modern American Literature, ed. Richard E. Langford, De Land, Fla.: Stetson
University Press, 1963, pp. 55-64.

Gross, Beverly. "Form and Fulfillment in The Sound and the Fury ." Modern Language Quarterly 29 (December 1968), 439-449.

Guetti, James. The Limits of Metaphor: A Study of Melville, Conrad, and Faulkner . Ithaca, N.Y.: Cornell University Press, 1967, pp. 148- 153.

Gunter, Richard. "Style and Language in The Sound and the Fury ." Mississippi Quarterly 12 (Summer 1969), 264-79. Included in The Merrill Studies in The
Sound and the Fury , pp. 140-156.

Gwynn, Frederick L. "Faulkner's Raskolnikov." Modern Fiction Studies 4 (Summer 1958), 169-172.

Hagopian, John V. "Nihilism in Faulkner's The Sound and the Fury ." Modern Fiction Studies 13 (Spring 1967), 45-55. Included in The Merrill Studies in The
Sound and the Fury , pp. 102-113.

Hampsey, John C. "Checking in on Time in The Sound and the Fury ." Arizona Quarterly 43 (Summer 1987), 133-140.

Hardy, John Edward. "William Faulkner: The Legend behind the Legend." In Man in the Modern Novel , Seattle: University of Washington Press, 1964, pp.
149-155, et passim .

Harris, Wendell V. "Faulkner's The Sound and the Fury ." Explicator 21 (March 1963), Item 54.

_______________. "Of Time and the Novel." Bucknell Review 16 (March 1968), 114-129.

Hathaway, Baxter. "The Meanings of Faulkner's Structures." English Record 15 (December 1964), 22-27.

Hoffman, Frederick J. William Faulkner. New York: Twayne Publishers, 1961, pp. 49-60.

Hornback, Vernon T., Jr. "The Uses of Time in Faulkner's The Sound and the Fury." Papers on English Language and Literature 1 (Winter 1965), 50-58.

Howe, Irving. William Faulkner: A Critical Study . Second edition, revised and expanded (first edition in 1952). New York: Vintage Books, 1962, pp. 46-52,
157-174.

Howell, Elmo. "A Note on Faulkner's Negro Characters." Mississippi Quarterly, 11 (Fall 1958), 201-203.

Howell, John M. "Hemingway and Fitzgerald in Sound and Fury." Papers on Language and Literature 2 (Summer 1966), 234-242.

Hughes, Richard. Preface to The Sound and the Fury.. London: Chatto and Windus, 1931.

Humphrey, Robert. "Form and Function of Stream of Consciousness in William Faulkner's The Sound and the Fury ." University of Kansas City Review 19,
(Autumn 1952), 34-40. Revised for Stream of Consciousness in the Modern Novel , Berkeley: University of California Press, 1954, pp. 17-21, 64-70, 104-111.

Hunt, John W. "The Sound and the Fury : The Locus and Status of Meaning." In William Faulkner: Art in Theological Tension, Syracuse, N.Y.: Syracuse
University Press, 1965, pp. 35-99.
Husson, Marguerite. "Etude comparée de la ponctuation dans The Sound and the Fury et dans la traduction de M.-E. Coindreau". Mémoire de maîtrise inédit, Université Paris VII, 1976, V + 74 p.

Irwin, John T. Doubling & Incest/ Repetition & Revenge: A Speculative Reading of Faulkner, Baltimore & London: Johns Hopkins University Press,
1975, pp. 27-28, 52-53, 60-61, 124-125, 169-171, et passim.

Iser, Wolfgang. "Perception, Temporality, and Action as Modes of Subjectivity. William Faulkner: The Sound and the Fury ." In The Implied Reader: Patterns of
Communication in Prose Fiction from Bunyan to Beckett, Baltimore & London: John Hopkins University Press, 1974, pp. 136-152.

Izsak, Emily K. "The Manuscript of The Sound and the Fury : The Revisions in the First Section." Studies in Bibliography 20 (1967), 189- 202.

Johnson, Julie M. "'The Theory of Relativity in Modern Literature: An Overview of The Sound and the Fury." Journal of Modern Literature 10 (June 1983),
217-230.

Kaluza, Irena. The Functioning of Sentence Structure in the Stream-of- Consciousness Technique of William Faulkner's "The Sound and the Fury": A Study in
Linguistic Stylistics . Krakow: Nakladem Uniwersytetu Jagiellonskiego, 1967. Reprinted by Folcroft Library Editions in 1970.

Kamps, Ivo. "Much Ado About Nothing: Language and Desire in The Sound and the Fury." Mississippi Quarterly 46 (Summer 1993), 373- 393.

Kartiganer, Donald M. "The Sound and the Fury and Faulkner's Quest for Form." English Literary History 37 (December 1970), 613-639.

________________. "The Sound and the Fury." In The Fragile Thread: The Meaning of Form in Faulkner's Novels, Amherst, Mass.: University of
Massachusetts Press, 1979, pp. 3-22.

Kenner, Hugh. "The Last Novelist." In A Homemade World: The American Modernist Writers, New York: Alfred A. Knopf, 1975, pp. 194-221.

Kerr, Elizabeth M. Yoknapatawpha: Faulkner's "Little Postage Stamp of Native Soil ." New York: Fordham University Press, 1969. Passim.

KIng, Richard H. "From Time to History: The Lacerated Consciousness of Quentin Compson." In A Southern Renaissance: The Cultural Awakening of the
American South, 1930-1955, New York and Oxford: Oxford University Press, 1980, pp. 111-119.

Kinney, Arthur F. Faulkner's Narrative Poetics : Style as Vision . Amherst, Mass.: University of Massachusetts Press, 1978, pp. 139- 61, et passim.

Klotz, Marvin. "The Triumph Over Time: Narrative Form in William Faulkner and William Styron." Mississippi Quarterly 17 (Winter 1963-64), 9-20.

Korenman, Joan S. "Faulkner's Grecian Urn." The Southern Literary Journal 7 (Fall 1974), 3-23, especially 9-12.

Labor, Earle G. "Faulkner's The Sound and the Fury." Explicator 17 (January 1959), Item 30.

Le Breton, Maurice. "Technique et Psychologie chez William Faulkner." Etudes Anglaises 1 (September 1937), 418-438.

______________. "Temps et Personne chez William Faulkner." Journal de Psychologie 44 (January-June 1951), 344-354.

Lee, Edwy B. "A Note on the Ordonnance of The Sound and the Fury ." Faulkner Studies 3 (Summer-Autumn 1954), 37-59.

Lester, Cheryl. "From Place to Place in The Sound and the Fury : The Syntax of Interrogation." Modern Fiction Studies 34 (Summer 1988), 141-155.

Lilly, Paul R., Jr. "Caddy and Addie: Speakers of Faulkner's Impeccable Language."Journal of Narrative Technique 3 (September 1973), 170- 182.

Litz, Walton. "William Faulkner's Moral Vision." Southwest Review 37 (Summer 1952), 200-209.

Longley, John L. "Faulkner Villains." In The Tragic Mask: A Study of Faulkner's Heroes, Chapel Hill: University of North Carolina Press, 1963, pp. 144-150.

____________. "'Who Never Had a Sister': A Reading of The Sound and the Fury ." Mosaic 7 (Fall 1973), 35-53.

Lowrey, Perrin H. "Concepts of Time in The Sound and the Fury ." In English Institute Essays, 1952, ed. Alan S. Downer, New York: Columbia University
Press, 1954, pp. 57-82.

Malin, Irving. William Faulkner: An Interpretation. Stanford, Calif.: Stanford University Press, 1957.

Materassi, Mario. "Il primo grande romanzo di Faulkner: The Sound and the Fury ." Convivium 35 (May-June 1967), 303-324. Reprinted in I Romanzi di
Faulkner, Rome: Edizioni di Storia e Letteratura, 1968, pp. 93-120.

McGann, Mary E. "The Waste Land and The Sound and the Fury : To Apprehend the Human Process Moving in Time." Southern Literary Journal 9 (Fall
1976), 13-21.

McHaney, Thomas L. "Robinson Jeffers' 'Tamar' and The Sound and the Fury ." Mississippi Quarterly 22 (Summer 1969), 261-263.

McLaughlin, Sara. "Faulkner's Faux Pas: Referring to Benjamin Compson as an Idiot." Literature and Psychology 33, 2 (1987), 34-40.

Mellard, James M. "Faulkner's Jason and the Tradition of Oral Narrative." Journal of Popular Culture 2 (Fall 1968), 195-210.

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